Mirroring the Life and Culture of the Edo Period, (1615-1868)
Location: Ron and Mary Taylor Gallery
The exhibition was funded in part by the San Diego Commission for Arts and Culture and the County of San Diego Community Enhancement Program.
The first of its kind in the United States, this exhibition presented six traditional categories ofningyo: gosho ningyô (palace dolls), hina ningyô (Girls’ Day dolls), musha ningyô (Boys’ Day dolls), isho ningyô (dolls of fashion and popular culture), karakuri ningyô (theater dolls, some of which are mechanical) and dolls relating to health. Carved from wood, the dolls are clothed in elegant, often elaborate, costumes with heads, hands and bodies that have the appearance of white porcelain. This effect is achieved by applying gofun, a white pigment made from crushed clam and oyster shells and glue to the wooden base.
Ningyo: The Art of the Japanese Doll , from Tuttle Publishing, written by Guest Curator Alan Pate, with photography by Lynton Gardiner.
Alan Pate presented an illustrated lecture on the exhibition following the June 25 Members’ Reception.
An intimate exhibition in the Museum’s Theater Gallery featuring a selection of shadow puppets from Indonesia.
Recycled and Embroidered Textiles of Bengal
Featuring approximately 40 kantha (decorative stitched quilting made from recycled sari) from the Museum's permanent collection.