Mingei Legacy | Mingei International Museum
Plate (detail)- Glazed Stoneware, Tatsuzo Shimaoka, "A National Treasure of Japan",  2000, Mashiko, Tochigi Prefecture, Japan, stoneware. Collection Mingei International Museum. Photo by Lynton Gardiner. 2001-36-009.
Image: Plate (detail)- Glazed Stoneware, Tatsuzo Shimaoka, "A National Treasure of Japan", 2000, Mashiko, Tochigi Prefecture, Japan, stoneware. Collection Mingei International Museum. Photo by Lynton Gardiner. 2001-36-009.
On View

Feb 2 - Apr 19, 2003

Curated By

Michel L. Conroy

The exhibition was funded in part by the City of San Diego Commission for Arts and Culture and the County of San Diego Community Enhancement Program and grants from The Blakemore Foundation, the National Council on Education for the Ceramic Arts and Southwest Texas State University. Michel L. Conroy, NCECA Exhibitions Director, serves as Curatorial Consultant.

Accompanying the exhibition was a monograph by Michel L. Conroy, MINGEI LEGACY – Continuity and Innovation Through Three Generations of Modern Potters, published by the National Council on Education for the Ceramic Arts. Playing throughout the course of the exhibition in the Multi - Media Education Center were the films “SHÔJI HAMADA – His Way and Work,” WARREN MACKENZIE – An American Potter,” “THE ART OF THE POTTER (Bernard Leach and Shôji Hamada),” and “ARTISTS AND THEIR ART – MICHAEL CARDEW.

_*MINGEI LEGACY*_ was an exhibition of pottery by Shôji Hamada and Kanjiro Kawai who with Dr. Sôetsu Yanagi founded the Japanese Mingei movement. Also included were works by their friend, English potter / author Bernard Leach, who learned the art of pottery making in Japan. The exhibition, which provided an opportunity to see the work of these artists alongside that of two succeeding generations, coincides with NCECA’s (The National Council on Education for the Ceramic Arts) Annual Conference held in San Diego.

The work of Shōji Hamada and Kanjiro Kawai reflects the living traditions of pottery making, which they imparted to their apprentices. Working at a master’s side, an apprentice learned not only the technical skills necessary to make pottery, but came to know the intimate connection between life and work. _*MINGEI LEGACY*_ illustrates the process of transmitting an aesthetic from one generation to the next.